![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWnVNjLZASmf9W9Ic7eejnM7elrYRpLFtzVQRA0_v380cWHWrq9SVrSznFew5qv_w34JrsIBHekAFm-wtoXH-uJcSkoAOlHzmY7J_yClZB_4XMROaXOI1EYCSJyUwX1_kDWPrq/s400/31A03DHQGNL._SL500_AA240_.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZdzjzaQJ_D_w2Z_pU0DM61oKkW-8eu-SBxHqdnjlMxtt5rbRRo9C3ybC_cvhRG46Ik-6-y08sZu236Q8HYV8THG7Nz77st5QAdFDa8rQ6X0fmI4Cvi6RIwNItRYkijqjU74I9/s400/ss0013x200.jpg)
Acaba de sair, na editora de David Sylvian, a versão revista e remasterizada do derradeiro álbum dos Anywhen, que hoje respondem apenas pelo seu líder Thomas Feiner. Um clássico contemporâneo absoluto, e pouco há a acrescentar às palavras do novo editor: “The dark, brooding, romantic nature of the material and, in particular, the emotional gravity of Thomas' voice, came as something of a surprise to me as it was quite out of keeping with my listening habits of the time but I couldn't help but be drawn into its widescreen, colour-drained, soundscapes.”. Ao fim e ao cabo, paisagens.