4.10.2007

O lado bom do aborrecimento




















Much of the music I discuss could be characterised as drifting or simply existing in stasis rather than developing in any dramatic fashion. Structure emerges slowly, minimally or apparently not at all, encouraging states of reverie and receptivity in the listener that suggest (on the good side of boredom) a very positive rootlessness.

[prologue: fragments and mantras]

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